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The light from the great pine fire streams over all the room, throwing a rich glow upon the scene, upon the girl's flushed and earnest face, and large happy eyes, and graceful rounded figure, betraying also the grace and poetry of her every movement. "'By and by' I shall be your wife," says Mona, archly, "and then my days for receiving flattery will be at an end. Sure you needn't grudge me a few pretty words now." "Is that all?" says Mona, with quick contempt, seeing him pause. "Why, there is nothing in that! I pinned a flower into your coat only yesterday.".

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Long ago, one winter, the buffalo disappeared. The snow was deep, so deep that the people could not move in search of the buffalo; so the hunters went as far as they could up and down the river-bottoms and in the ravines, and killed deer and elk and other small game, and when these were all killed or driven away the people began to starve. "Oh, no! you don't look like that," says Mona, with a heavenly smile. "You do not seem like a man that could not be 'trusted.'" As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure. "I don't mean him,"—severely: "I mean the brother you called 'Old Nick'—Old Nick indeed!" with suppressed anger..